World Hope Forum Scotland
Reshaping Traditions, Retelling Stories
Photo; Erin McQuarrie
Curated by Lindsay Girvan, WHF Ambassador for Scotland
Sunday, December 14th, 2025
14:00–16:30 Edinburgh BST
15:00–17:30 Paris CET
9:00–11:30 New York EST
Programme
(Edinburgh BST times; calculate 1 hour later for Central Europe)
14:00 Welcome by Lidewij Edelkoort & Philip Fimmano, WHF Co-Founders, joined by Lindsay Girvan, WHF Ambassador for Scotland
14:10 Morvern Graham, visual artist & storyteller
14:30 Carola Akindele-Obe, curator & craft advocate
14:50 Susan Anderson, editor & publisher
15:10 James Donald, weaver & educator
15:30 Erin McQuarrie, artist & designer
15:50 David Eustace, artist & photographer
16:10 Bryde Dixon, organic grower & chef
16:30 Closing words
Scotland is a land shaped by makers and storytellers, a place where landscape, lore and lived experience weave themselves into every craft. From the ancient rhythms of wool-working and weaving to the contemporary voices redefining art, design and culture today, Scotland’s creative spirit has always been rooted in tradition while reaching restlessly toward the new. Ours is a nation of travellers and tellers, carrying ideas across borders, inspiring wherever we go, and drawing deeply from the stories and materials of home.
This edition of the World Hope Forum brings together established artists, curators and emerging creatives — photographers, weavers, writers, makers and advocates — whose practices honour lineage while imagining fresh possibilities for the next generation. These are individuals who sustain heritage crafts, revive forgotten skills and reshape what creativity can mean in a modern Scotland. Their work spans mediums yet shares a common thread: a belief that craft, culture and community hold the power to spark connection, resilience and hope.
Gathered from across the country and the globe, from remote studios to working farms, these Scottish voices invite us to explore how the country's traditions are being reinterpreted and retold. Through wool and wood, clay and camera, theatre, story and song, they reveal a nation both deeply rooted and boldly forward-looking — a Scotland whose creativity endures, adapts and continues to inspire far beyond its shores.
Lindsay Girvan
Lindsay Girvan is the founder of Future Vintage, a knitwear brand grounded in the rhythms of regenerative farming, traditional craft and a deep respect for heritage. From a stone cottage atelier on the organic farm in Scotland she runs with her husband, Ben Cadell—an established organic farmer and advocate for regenerative practices—Girvan creates a "shepherd’s wardrobe" using wool from their own flock of Shetland sheep. Together, Girvan and Cadell are building a truly land-connected approach to textiles, where the health of the soil, the wellbeing of the animals and the integrity of the finished garment are all part of the same story. Each piece is made on restored Dubied knitting machines, reviving heritage Scottish practices while nurturing a more circular and sustainable future for wool. With a background in Scottish textiles, organic farming and creative enterprise, Lindsay brings a thoughtful, land-first perspective to fashion. Through Future Vintage, she is reimagining what local, low-impact clothing can be: honest, enduring, and full of meaning—from field to fleece to finished stitch.
@lindsaygirvan_futurevintage
lindsaygirvan.com
Morvern Graham
Morvern Graham is a multi-award winning storyteller, printmaker and visual artist, living and working from her windswept home studio on the edge of the North Sea. Captivated by the stories of myth and folklore she grew up listening to, Morvern’s work focuses on gathering and telling stories from the landscapes of her native Scotland and beyond, through a combination of aural performance and visual design. She is currently the Storyteller in Residence for Ffern; traveling from coast to coast across the British Isles and uncovering the stories of our shared heritage and folk-traditions.
@morvern.studios
morverngraham.co.uk
Carola Akindele-Obe
Born and educated in Scotland, Carola Akindele-Obe’s early life was steeped in craft — from learning country traditions in East Lothian to researching the Bondagers, women agricultural workers whose collective skills and resilience continue to inspire her. Trained in embroidered and woven textiles at the Glasgow School of Art and later at the College of Furniture in London, she worked with natural and recycled materials to weave sculptural and functional pieces that fused design, sustainability and social connection. For the past twenty-eight years Carola has lived in Australia. She is co-founder and partner of Maker & Smith, which champions designer-makers through masterclasses, a directory, films and curated events. As Executive Director and co-founding curator of the Indian Ocean Craft Triennial (IOTA), she now expands this dialogue across the Indian Ocean Region — a space historically shaped by trade, migration, the Scottish diaspora and colonisation — to nurture new relationships between makers, cultures and communities, imagining more hopeful and sustainable futures through craft.
Susan Anderson
Susan Anderson is the publishing editor, writer and test knitter (!) for The Journal of Scottish Yarns, a biannual print and digital magazine she started in 2022 to celebrate and promote Scottish textiles. After 30 years working in financial services Susan turned her skills to putting Scottish textiles on the map (literally!) by sharing tales of its vibrant past and present and promoting textiles businesses both through the stories and craft projects that use Scottish materials. Inevitably many of the tales involve sheep and wool, and, inspired by the likes of Rosa Pomar in Portugal while also horrified by assumptions that Scottish wool is too coarse to bother with, she aims to highlight how native sheep breeds are rooted in the Scottish landscape, and to showcase how crofters, farmers and businesses of all sizes are actively making products out of Scottish wool. Susan also works with the textile community to provide opportunities through organising fibre festivals (East Neuk Knits in rural Fife and The Woolly Good Gathering in Edinburgh) and her networking meetings with the Scottish government have led to an invitation to sit on the Scottish Textile Industry Leadership Group.
James Donald
PickOne is a creative textiles company owned and operated by James Donald. Currently based in Edinburgh, he trained at the Duncan of Jordanstone College of Art & Design in Dundee and set up PickOne in 1997. In his weaving practice, James primarily uses Scottish based materials including lamb's wool, Shetland wool and other locally-sourced fibres, He has also developed a teaching practice and currently runs weekend weaving workshops as well as evening classes. PickOne is also developing an open-access studio in which weavers can hire equipment, specifically a 32-shaft Megado with two beams plus studio space on a month by month basis.
Erin McQuarrie
Erin McQuarrie is an artist and designer who believes ancient methods of making provide an innovative means of interpreting and responding to contemporary life. Inspired by the connection between text and textile, the language of warp and weft is her slow and intentional vocabulary, providing an antithesis to the wasteful consumerist society around us. Led by a healthy connection to materiality she uses natural dyeing, hand spinning and found objects to construct her tools and sculptural tapestries, demonstrating the architectural, dynamic, poetic, and sensitive qualities of fibre. She completed her BA in Textiles at The Glasgow School of Art and her MFA in Textiles at Parsons School of Design, NYC on a Fulbright scholarship. Her work has been exhibited widely including Jane Lombard Gallery, Mana Contemporary, Dovecot Studios, RSA, L’Space Gallery and NYPL. Erin lives in her hometown Glasgow, where she works as a lecturer in Textiles at The Glasgow School of Art.
@erin.mcquarrie
David Eustace
David Eustace is an acclaimed Scottish artist, photographer, filmmaker and curator whose work explores identity, time and the poetry found in observation. From early beginnings in the Royal Navy to an award-winning creative career in London and New York, he has photographed some of the world’s most recognisable figures, including Sir Paul McCartney, Sophia Loren and Sir Antony Gormley. His work is held in national and international collections, including the Scottish National Portrait Gallery and GoMA, and has been exhibited widely in shows such as Thereafter at Edinburgh’s Signet Library (2023), Dear John: A Thirty Year Portrait (2019), and We / Only: A Portrait of Us All at Dalkeith Palace (2025). His portrait and film work often weave together narrative, craftsmanship and emotion, creating space for reflection and connection. Rooted in Scotland yet international in reach, Eustace’s practice spans photography, sculpture, theatre and film. As former Chancellor of Edinburgh Napier University, he continues to champion creativity and collaboration across disciplines, embodying the belief that art, at its best, brings people closer to understanding themselves and one another.
@dreustace
davideustace.com
Bryde Dixon
Bryde Dixon is an organic grower and chef with a deep passion for Scotland’s food culture and its power to reconnect us with the land, our bodies, and one another. She believes food forms one of the most direct relationships we have with our environment — nourishing us both literally and figuratively, and reminding us that our wellbeing depends on the wellbeing of the land. Bryde began farming in 2014 with her now husband, Nat Dixon, when together they established Falkland Kitchen Farm, an organic market garden supplying their veg box scheme as well as local restaurants and retailers. As their work evolved, Bryde and Nat began to realise that the challenges faced by small scale producers working against the grain of the wider food system were immense and really required a collaborative approach. In 2023 they joined forces with East Neuk Market garden to explore how collaborative farming could help them build resilience without compromising their ideals. Working as primary producers also strengthened their conviction that good food must be both accessible and convenient, and that they needed a more direct way to engage their community in conversations around food and farming. This led them to create Five Acres, a “seed-to-plate” canteen in St Andrews designed to serve nourishing meals while building that crucial platform for connection.
@fiveacresstandrews
@eastneukmarketgarden
Lidewij Edelkoort
Co-Founder World Hope Forum
Li Edelkoort is a trend forecaster, publisher, humanitarian, design educator and exhibition curator. From 2015-2020 she was the Dean of Hybrid Design Studies at Parsons in New York where she founded a Textile Masters and the New York Textile Month festival. Her thought-provoking writings and podcasts have become increasingly popular at a time when she is regarded as an activist and champion for change. In 2020, she co-founded the World Hope Forum with Philip Fimmano as a platform to inspire the creative community to rebuild a better society. Launched in 2020, PROUD SOUTH is a mesmerising visual book that celebrates the creative forces from the southern parts of the planet. Through the colourful and expressive lens of contemporary fashion, photography, styling and art, Edelkoort and Lili Tedde bring together emerging and established talents from wide and far, illustrating that the axis of global creativity has indeed dramatically shifted. In 2025, Edelkoort is launching a second edition of PROUD SOUTH focusing on craft and design. Of the movement, she says, “A southern generation of creatives is standing up, expressing local craft, embracing regional materials, recognising ancestral practices and cherishing indigenous values.”
@lidewijedelkoort
Philip Fimmano
Co-Founder World Hope Forum
Philip Fimmano is a trend analyst and consultant, contributing to Trend Union’s forecasting books, magazines and strategic studies for international companies in fashion, textiles, interiors and lifestyle. In 2011, Fimmano co-founded Talking Textiles with Li Edelkoort; an ongoing initiative to promote awareness and innovation in textiles through touring exhibitions, a trend publication, a design prize and free educational programmes – including New York Textile Month, a citywide festival celebrating textile creativity each September. He is the co-author of the design book A Labour of Love (Lecturis, 2020) and the co-founder of the World Hope Forum, a new platform for creative community building. Fimmano is the mentor of Polimoda's fashion forecasting masters and textile masters in Florence, and he is on the Board of Directors for the International Folk Art Market in Santa Fe.
